Monday, July 4, 2011

François Mauriac: Paris Review Interview

"No, the crisis of the novel, in my opinion, is of a metaphysical nature, and is connected with a certain conception of man. The argument against the psychological novel derives essentially from the conception of man held by the present generation, a conception that is totally negative…. Today, along with nonrepresentational art, we have the nonrepresentational novel—the characters simply have no distinguishing features…. I believe that the crisis of the novel, if it exists, is right there, essentially, in the domain of technique. The novel has lost its purpose. That is the most serious difficulty, and it is from there that we must begin. The younger generation believes, after Joyce and Proust, that it has discovered the “purpose” of the old novel to have been prefabricated and unrelated to reality."


“The crisis of the novel, then, is metaphysical. The generation that preceded ours was no longer Christian, but it believed in the individual, which comes to the same thing as believing in the soul. What each of us understands by the word soul is different; but in any case it is the fixed point around which the individual is constructed. Faith in God was lost for many, but not the values this faith postulates. The good was not bad, and the bad was not good. The collapse of the novel is due to the destruction of this fundamental concept: the awareness of good and evil. The language itself has been devalued and emptied of its meaning by this attack on conscience. Observe that for the novelist who has remained Christian, like myself, man is someone creating himself or destroying himself. He is not an immobile being, fixed, cast in a mold once and for all. This is what makes the traditional psychological novel so different from what I did or thought I was doing. The human being as I conceive him in the novel is a being caught up in the drama of salvation, even if he doesn't know it.”


Paris Review - The Art of Fiction No. 2, François Mauriac

See Also: Evelyn Waugh & Graham Greene

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